Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Terry Crews
|
207,726
|
6,700
|
C
|
Low
|
2
|
Lenny Kravitz
|
200,563
|
6,469
|
B
|
Low
|
3
|
Nike, Inc.
|
129,068
|
4,163
|
B
|
High
|
4
|
Video game
|
111,055
|
3,582
|
C
|
Top
|
5
|
Volkswagen Beetle
|
102,928
|
3,320
|
B
|
Mid
|
6
|
Nothing (company)
|
94,521
|
3,049
|
B
|
Mid
|
7
|
Bauhaus
|
94,050
|
3,033
|
B
|
High
|
8
|
Frank Lloyd Wright
|
85,334
|
2,752
|
B
|
High
|
9
|
Jeep
|
80,594
|
2,599
|
B
|
Mid
|
10
|
IPod
|
72,137
|
2,327
|
B
|
Mid
|
11
|
IKEA
|
66,296
|
2,138
|
C
|
Low
|
12
|
Harley-Davidson
|
62,533
|
2,017
|
B
|
Mid
|
13
|
Qantas
|
61,101
|
1,971
|
B
|
Mid
|
14
|
Moka pot
|
57,341
|
1,849
|
C
|
Low
|
15
|
Ford Model T
|
51,230
|
1,652
|
B
|
Mid
|
16
|
Virgil Abloh
|
49,267
|
1,589
|
C
|
Low
|
17
|
Frutiger Aero
|
45,866
|
1,479
|
C
|
Low
|
18
|
William Morris
|
40,470
|
1,305
|
GA
|
Mid
|
19
|
Mini
|
39,521
|
1,274
|
C
|
Mid
|
20
|
Jony Ive
|
35,772
|
1,153
|
B
|
High
|
21
|
Le Corbusier
|
35,564
|
1,147
|
C
|
High
|
22
|
Eero Saarinen
|
34,488
|
1,112
|
C
|
Mid
|
23
|
Mac (computer)
|
34,021
|
1,097
|
GA
|
High
|
24
|
Walkman
|
28,942
|
933
|
C
|
Mid
|
25
|
James Dyson
|
28,883
|
931
|
B
|
Mid
|
26
|
Frank Gehry
|
25,813
|
832
|
B
|
Low
|
27
|
IPod Shuffle
|
24,979
|
805
|
B
|
Mid
|
28
|
Marcel Breuer
|
24,535
|
791
|
B
|
Mid
|
29
|
Skeuomorph
|
23,878
|
770
|
Start
|
Mid
|
30
|
Franz von Holzhausen
|
23,751
|
766
|
C
|
Low
|
31
|
Ludwig Mies van der Rohe
|
23,375
|
754
|
C
|
Mid
|
32
|
Buckminster Fuller
|
22,476
|
725
|
C
|
High
|
33
|
Zippo
|
22,375
|
721
|
Start
|
Low
|
34
|
Porsche 356
|
21,292
|
686
|
B
|
Low
|
35
|
Citroën DS
|
20,925
|
675
|
C
|
Mid
|
36
|
Computer-aided design
|
20,842
|
672
|
C
|
Mid
|
37
|
Memphis Group
|
18,983
|
612
|
C
|
Mid
|
38
|
Citroën 2CV
|
18,828
|
607
|
B
|
Mid
|
39
|
Apple I
|
18,176
|
586
|
C
|
Low
|
40
|
Design
|
17,935
|
578
|
C
|
High
|
41
|
IMac G3
|
17,638
|
568
|
FA
|
Mid
|
42
|
Tiffany lamp
|
17,364
|
560
|
Start
|
Mid
|
43
|
List of countries with IKEA stores
|
16,726
|
539
|
List
|
Low
|
44
|
Carpentry
|
16,694
|
538
|
C
|
Mid
|
45
|
Building information modeling
|
16,446
|
530
|
C
|
Low
|
46
|
Ingvar Kamprad
|
15,943
|
514
|
C
|
Mid
|
47
|
Lazy Susan
|
15,908
|
513
|
Start
|
Low
|
48
|
Eames Lounge Chair
|
15,598
|
503
|
Start
|
Mid
|
49
|
Isamu Noguchi
|
15,120
|
487
|
C
|
Mid
|
50
|
Duct tape
|
14,747
|
475
|
Start
|
Unknown
|
51
|
Dieter Rams
|
14,538
|
468
|
B
|
High
|
52
|
Product (business)
|
14,526
|
468
|
Start
|
Mid
|
53
|
SolidWorks
|
13,919
|
449
|
Start
|
Low
|
54
|
Universalism
|
13,899
|
448
|
B
|
Low
|
55
|
Tinkercad
|
13,474
|
434
|
Start
|
Mid
|
56
|
Injection moulding
|
12,824
|
413
|
GA
|
Mid
|
57
|
Sellotape
|
12,733
|
410
|
Start
|
Low
|
58
|
Plastic pollution
|
12,644
|
407
|
B
|
Low
|
59
|
Neri Oxman
|
12,504
|
403
|
GA
|
Mid
|
60
|
Tetra Pak
|
12,484
|
402
|
C
|
Low
|
61
|
List of commercial failures in video games
|
12,379
|
399
|
List
|
Low
|
62
|
Streamline Moderne
|
12,303
|
396
|
C
|
Top
|
63
|
Bic Cristal
|
12,260
|
395
|
GA
|
Mid
|
64
|
Ergonomics
|
12,041
|
388
|
C
|
Unknown
|
65
|
Giorgetto Giugiaro
|
11,874
|
383
|
Start
|
Low
|
66
|
Concept car
|
11,177
|
360
|
Start
|
Low
|
67
|
Parsons School of Design
|
11,074
|
357
|
C
|
Low
|
68
|
Proof of concept
|
10,949
|
353
|
Start
|
High
|
69
|
Futon
|
10,927
|
352
|
Start
|
Low
|
70
|
Herman Miller
|
10,808
|
348
|
B
|
High
|
71
|
Muji
|
10,782
|
347
|
C
|
Low
|
72
|
Aeolipile
|
10,414
|
335
|
C
|
Low
|
73
|
Furniture
|
10,401
|
335
|
C
|
Low
|
74
|
Charles Rennie Mackintosh
|
10,372
|
334
|
B
|
High
|
75
|
Adirondack chair
|
10,354
|
334
|
Start
|
Low
|
76
|
Teenage Engineering
|
10,089
|
325
|
C
|
Low
|
77
|
Wassily Chair
|
10,053
|
324
|
Start
|
Mid
|
78
|
Design thinking
|
9,984
|
322
|
C
|
High
|
79
|
Prototype
|
9,917
|
319
|
Start
|
Low
|
80
|
Tinker Hatfield
|
9,894
|
319
|
C
|
High
|
81
|
Clive Sinclair
|
9,865
|
318
|
B
|
Low
|
82
|
Stock keeping unit
|
9,799
|
316
|
Stub
|
Mid
|
83
|
FreeCAD
|
9,714
|
313
|
C
|
High
|
84
|
Braun (company)
|
9,694
|
312
|
B
|
High
|
85
|
Charles and Ray Eames
|
9,558
|
308
|
C
|
High
|
86
|
Form factor (mobile phones)
|
9,283
|
299
|
Start
|
Low
|
87
|
Breville Group
|
9,155
|
295
|
Start
|
Low
|
88
|
La-Z-Boy
|
8,839
|
285
|
Start
|
Low
|
89
|
Industrial design
|
8,822
|
284
|
C
|
Top
|
90
|
Gottlieb Daimler
|
8,618
|
278
|
B
|
Mid
|
91
|
Mass production
|
8,436
|
272
|
C
|
Low
|
92
|
Speed tape
|
8,167
|
263
|
Start
|
Mid
|
93
|
Anthropometry
|
7,878
|
254
|
C
|
Low
|
94
|
Alvar Aalto
|
7,811
|
251
|
C
|
Low
|
95
|
Gaffer tape
|
7,762
|
250
|
Start
|
High
|
96
|
Mini Moke
|
7,660
|
247
|
B
|
Low
|
97
|
Packaging
|
7,611
|
245
|
B
|
High
|
98
|
Parker Pen Company
|
7,570
|
244
|
C
|
Low
|
99
|
Commodore PET
|
7,559
|
243
|
C
|
Low
|
100
|
Product lifecycle
|
7,475
|
241
|
Start
|
Low
|
101
|
Raymond Loewy
|
7,190
|
231
|
B
|
High
|
102
|
Form follows function
|
7,136
|
230
|
C
|
Low
|
103
|
Monobloc (chair)
|
7,089
|
228
|
Start
|
Low
|
104
|
Fiat 600
|
7,079
|
228
|
C
|
Low
|
105
|
Motherboard form factor
|
6,939
|
223
|
C
|
Unknown
|
106
|
Blohm+Voss
|
6,792
|
219
|
Start
|
High
|
107
|
Upholstery
|
6,783
|
218
|
Start
|
Mid
|
108
|
Gruppo Bertone
|
6,733
|
217
|
C
|
Unknown
|
109
|
Venetian Arsenal
|
6,671
|
215
|
B
|
Low
|
110
|
Serial number
|
6,464
|
208
|
Start
|
Mid
|
111
|
Olivetti
|
6,337
|
204
|
C
|
Low
|
112
|
Engineering design process
|
6,281
|
202
|
Start
|
High
|
113
|
Chintz
|
6,275
|
202
|
Start
|
Low
|
114
|
Electric aircraft
|
6,269
|
202
|
C
|
Low
|
115
|
Discman
|
6,245
|
201
|
C
|
Low
|
116
|
Aerospike engine
|
6,186
|
199
|
C
|
Low
|
117
|
Biophilic design
|
6,186
|
199
|
B
|
Low
|
118
|
IBM Selectric
|
6,184
|
199
|
B
|
Mid
|
119
|
Deck (ship)
|
6,169
|
199
|
Start
|
Unknown
|
120
|
Robert Adam
|
6,146
|
198
|
B
|
Mid
|
121
|
Rolodex
|
6,142
|
198
|
C
|
Low
|
122
|
Richard Neutra
|
6,135
|
197
|
C
|
Mid
|
123
|
Microlino
|
6,093
|
196
|
Start
|
Low
|
124
|
Laura Ashley
|
6,001
|
193
|
C
|
Mid
|
125
|
Designer
|
5,990
|
193
|
Start
|
Unknown
|
126
|
Paper clip
|
5,978
|
192
|
C
|
Low
|
127
|
Paul Smith (fashion designer)
|
5,962
|
192
|
C
|
Unknown
|
128
|
Philippe Starck
|
5,959
|
192
|
B
|
High
|
129
|
Game design
|
5,904
|
190
|
C
|
Low
|
130
|
Tefal
|
5,894
|
190
|
Start
|
Low
|
131
|
The Design of Everyday Things
|
5,881
|
189
|
Start
|
Low
|
132
|
Syd Mead
|
5,665
|
182
|
C
|
Mid
|
133
|
MSCHF
|
5,570
|
179
|
Start
|
Low
|
134
|
Clamshell design
|
5,539
|
178
|
Start
|
Low
|
135
|
LoveSac
|
5,516
|
177
|
Stub
|
Low
|
136
|
Scotch tape
|
5,429
|
175
|
C
|
Unknown
|
137
|
Upcycling
|
5,382
|
173
|
C
|
Low
|
138
|
Bubble wrap
|
5,382
|
173
|
Start
|
Mid
|
139
|
Ferdinand Alexander Porsche
|
5,292
|
170
|
Start
|
Low
|
140
|
Automotive design
|
5,282
|
170
|
C
|
Mid
|
141
|
Spork
|
5,136
|
165
|
B
|
Low
|
142
|
Cesca chair
|
5,128
|
165
|
Stub
|
Low
|
143
|
Memory foam
|
5,099
|
164
|
Start
|
Low
|
144
|
ArtCenter College of Design
|
5,066
|
163
|
Start
|
Low
|
145
|
Fiskars
|
4,972
|
160
|
Start
|
Low
|
146
|
Hoosier cabinet
|
4,969
|
160
|
GA
|
Low
|
147
|
Rhinoceros 3D
|
4,844
|
156
|
Start
|
Low
|
148
|
Lenox (company)
|
4,828
|
155
|
C
|
Mid
|
149
|
Terence Conran
|
4,818
|
155
|
C
|
Low
|
150
|
Jacque Fresco
|
4,796
|
154
|
C
|
Low
|
151
|
Ducati 1199
|
4,771
|
153
|
B
|
Low
|
152
|
3D scanning
|
4,735
|
152
|
C
|
Mid
|
153
|
Motorola MicroTAC
|
4,729
|
152
|
C
|
Low
|
154
|
New product development
|
4,695
|
151
|
Start
|
High
|
155
|
Throne
|
4,674
|
150
|
C
|
Low
|
156
|
List of Harley-Davidson motorcycles
|
4,566
|
147
|
List
|
Low
|
157
|
Bedding
|
4,546
|
146
|
C
|
Unknown
|
158
|
Barcelona chair
|
4,463
|
143
|
Start
|
Mid
|
159
|
Reebok Pump
|
4,373
|
141
|
Stub
|
Low
|
160
|
Flat design
|
4,331
|
139
|
Start
|
Low
|
161
|
Airline seat
|
4,316
|
139
|
Start
|
Low
|
162
|
Eileen Gray
|
4,313
|
139
|
B
|
Low
|
163
|
Carton
|
4,297
|
138
|
Start
|
Low
|
164
|
Cigarette pack
|
4,233
|
136
|
Start
|
Low
|
165
|
Apple IIc
|
4,213
|
135
|
C
|
Mid
|
166
|
Powertrain layout
|
4,212
|
135
|
C
|
Low
|
167
|
Japanese lacquerware
|
4,176
|
134
|
C
|
Low
|
168
|
Sigvard Bernadotte
|
4,155
|
134
|
Start
|
Low
|
169
|
Design engineer
|
4,140
|
133
|
Start
|
High
|
170
|
Michael Graves
|
4,134
|
133
|
C
|
Low
|
171
|
Aveva
|
4,073
|
131
|
Start
|
Low
|
172
|
Creative Zen
|
3,920
|
126
|
B
|
Low
|
173
|
ID
|
3,900
|
125
|
Disambig
|
NA
|
174
|
List of Polaroid instant cameras
|
3,869
|
124
|
List
|
Low
|
175
|
Aeron chair
|
3,862
|
124
|
Stub
|
Mid
|
176
|
Concept art
|
3,858
|
124
|
Start
|
Low
|
177
|
Ettore Sottsass
|
3,784
|
122
|
C
|
High
|
178
|
Product design
|
3,727
|
120
|
Start
|
High
|
179
|
Comparison of computer-aided design software
|
3,710
|
119
|
List
|
Low
|
180
|
Human-centered design
|
3,679
|
118
|
C
|
High
|
181
|
Universal design
|
3,649
|
117
|
Start
|
Mid
|
182
|
Arcade cabinet
|
3,584
|
115
|
C
|
Unknown
|
183
|
Cradle-to-cradle design
|
3,538
|
114
|
Start
|
Low
|
184
|
Countertop
|
3,509
|
113
|
C
|
Unknown
|
185
|
Comforter
|
3,443
|
111
|
Start
|
Unknown
|
186
|
Sketchpad
|
3,335
|
107
|
Start
|
Low
|
187
|
Tatra 603
|
3,232
|
104
|
C
|
Low
|
188
|
Flavio Manzoni
|
3,171
|
102
|
C
|
Mid
|
189
|
Melamine resin
|
3,141
|
101
|
Start
|
Low
|
190
|
Steelcase
|
3,119
|
100
|
B
|
Mid
|
191
|
Alec Issigonis
|
3,107
|
100
|
C
|
Low
|
192
|
Banker's lamp
|
3,094
|
99
|
Start
|
Mid
|
193
|
OpenSCAD
|
3,064
|
98
|
Stub
|
Low
|
194
|
Charles Eames
|
3,056
|
98
|
Start
|
Unknown
|
195
|
Motorola ROKR
|
3,054
|
98
|
Start
|
Unknown
|
196
|
Masking tape
|
3,038
|
98
|
Start
|
Low
|
197
|
Brompton Bicycle
|
2,993
|
96
|
C
|
Low
|
198
|
FIRST Championship
|
2,989
|
96
|
Start
|
Low
|
199
|
List of chairs
|
2,929
|
94
|
List
|
Mid
|
200
|
De facto standard
|
2,918
|
94
|
Start
|
High
|
201
|
International Exhibition of Modern Decorative and Industrial Arts
|
2,907
|
93
|
C
|
Unknown
|
202
|
New media art
|
2,905
|
93
|
C
|
Low
|
203
|
Peter Behrens
|
2,902
|
93
|
Start
|
High
|
204
|
BIC lighter
|
2,880
|
92
|
Start
|
Low
|
205
|
George Nakashima
|
2,864
|
92
|
B
|
Mid
|
206
|
IDEO
|
2,858
|
92
|
Start
|
High
|
207
|
Red Dot
|
2,837
|
91
|
C
|
Low
|
208
|
Tulip chair
|
2,819
|
90
|
Start
|
Low
|
209
|
Gerrit Rietveld
|
2,814
|
90
|
C
|
High
|
210
|
Massimo Vignelli
|
2,808
|
90
|
C
|
High
|
211
|
Electrical tape
|
2,807
|
90
|
Start
|
Low
|
212
|
Salone del Mobile
|
2,774
|
89
|
B
|
Mid
|
213
|
Coso artifact
|
2,766
|
89
|
Start
|
Low
|
214
|
M+
|
2,712
|
87
|
B
|
Low
|
215
|
Arne Jacobsen
|
2,695
|
86
|
B
|
High
|
216
|
Paul László
|
2,686
|
86
|
Start
|
Low
|
217
|
Luc Donckerwolke
|
2,656
|
85
|
Start
|
Low
|
218
|
Interaction design
|
2,632
|
84
|
Start
|
Mid
|
219
|
Staffordshire Potteries
|
2,628
|
84
|
Start
|
Mid
|
220
|
Design by committee
|
2,627
|
84
|
Start
|
Unknown
|
221
|
Marc Newson
|
2,626
|
84
|
B
|
High
|
222
|
Walter de Silva
|
2,604
|
84
|
C
|
Low
|
223
|
IKEA Billy
|
2,601
|
83
|
Start
|
Low
|
224
|
Norman Bel Geddes
|
2,571
|
82
|
Start
|
Low
|
225
|
99% Invisible
|
2,565
|
82
|
C
|
Mid
|
226
|
Sony Watchman
|
2,474
|
79
|
Start
|
Low
|
227
|
Edgar Kaufmann Jr.
|
2,449
|
79
|
C
|
Low
|
228
|
Calculator (Apple)
|
2,419
|
78
|
Start
|
Low
|
229
|
Yves Béhar
|
2,386
|
76
|
Start
|
Low
|
230
|
Carlo Scarpa
|
2,372
|
76
|
C
|
Mid
|
231
|
Boundary representation
|
2,363
|
76
|
Stub
|
Low
|
232
|
Design for manufacturability
|
2,363
|
76
|
Start
|
Low
|
233
|
KEF
|
2,362
|
76
|
C
|
Low
|
234
|
Charlotte Perriand
|
2,344
|
75
|
C
|
Low
|
235
|
Frog Design
|
2,336
|
75
|
Start
|
High
|
236
|
Muntzing
|
2,335
|
75
|
Stub
|
High
|
237
|
Pilot experiment
|
2,312
|
74
|
Start
|
Low
|
238
|
Parasolid
|
2,311
|
74
|
Stub
|
Low
|
239
|
William Kent
|
2,310
|
74
|
B
|
Low
|
240
|
Nikon F4
|
2,304
|
74
|
Start
|
Low
|
241
|
Label
|
2,296
|
74
|
C
|
Mid
|
242
|
Hans Wegner
|
2,279
|
73
|
B
|
Low
|
243
|
Combination eating utensils
|
2,265
|
73
|
B
|
Low
|
244
|
Béla Barényi
|
2,263
|
73
|
B
|
Low
|
245
|
Knoll, Inc.
|
2,254
|
72
|
C
|
High
|
246
|
Royal Designers for Industry
|
2,248
|
72
|
Start
|
Low
|
247
|
Atomic Age (design)
|
2,247
|
72
|
C
|
Mid
|
248
|
Personalization
|
2,200
|
70
|
Start
|
Mid
|
249
|
Piet Hein (scientist)
|
2,196
|
70
|
Start
|
Low
|
250
|
IO-Link
|
2,195
|
70
|
Start
|
Unknown
|
251
|
Privacy by design
|
2,159
|
69
|
C
|
Low
|
252
|
Alessi (Italian company)
|
2,156
|
69
|
C
|
Mid
|
253
|
No. 14 chair
|
2,140
|
69
|
Start
|
Low
|
254
|
Sheaffer
|
2,126
|
68
|
Start
|
Low
|
255
|
Gustav Stickley
|
2,125
|
68
|
Start
|
Low
|
256
|
Interactivity
|
2,096
|
67
|
Start
|
Low
|
257
|
Design language
|
2,064
|
66
|
Stub
|
Low
|
258
|
Sleep pod
|
2,055
|
66
|
Start
|
Unknown
|
259
|
Trade dress
|
2,053
|
66
|
Start
|
Mid
|
260
|
Bean bag chair
|
2,047
|
66
|
Start
|
Mid
|
261
|
Suzuki Alto Lapin
|
2,034
|
65
|
Start
|
Low
|
262
|
Porsche Design
|
1,994
|
64
|
Start
|
Low
|
263
|
Ready-to-assemble furniture
|
1,989
|
64
|
Start
|
Mid
|
264
|
Gio Ponti
|
1,985
|
64
|
Start
|
Mid
|
265
|
Binder clip
|
1,955
|
63
|
C
|
Low
|
266
|
Land Camera
|
1,953
|
63
|
Start
|
Low
|
267
|
Carla Sozzani
|
1,947
|
62
|
Start
|
Mid
|
268
|
Neville Brody
|
1,905
|
61
|
C
|
Mid
|
269
|
Moke (revival)
|
1,895
|
61
|
B
|
Low
|
270
|
Air-augmented rocket
|
1,886
|
60
|
C
|
Low
|
271
|
Electric blanket
|
1,883
|
60
|
C
|
Low
|
272
|
Coke bottle styling
|
1,830
|
59
|
C
|
Mid
|
273
|
Deutscher Werkbund
|
1,816
|
58
|
Start
|
Low
|
274
|
Henry Dreyfuss
|
1,815
|
58
|
Start
|
Low
|
275
|
History of CAD software
|
1,815
|
58
|
Start
|
Low
|
276
|
Trevor Baylis
|
1,814
|
58
|
C
|
Low
|
277
|
Design Museum
|
1,814
|
58
|
Start
|
Mid
|
278
|
Red and Blue Chair
|
1,814
|
58
|
Stub
|
Low
|
279
|
Robert Thompson (designer)
|
1,810
|
58
|
Stub
|
Low
|
280
|
George Nelson (designer)
|
1,793
|
57
|
C
|
Mid
|
281
|
Karim Rashid
|
1,791
|
57
|
B
|
Low
|
282
|
Kitchen cabinet
|
1,783
|
57
|
Start
|
Low
|
283
|
Display case
|
1,767
|
57
|
Start
|
Low
|
284
|
Video games in the United Kingdom
|
1,751
|
56
|
B
|
Low
|
285
|
Model-based definition
|
1,743
|
56
|
Stub
|
Low
|
286
|
Tripp Trapp
|
1,731
|
55
|
Stub
|
Low
|
287
|
Tansu
|
1,718
|
55
|
C
|
Low
|
288
|
Bubble Wrap (brand)
|
1,713
|
55
|
Start
|
Mid
|
289
|
Design and Technology
|
1,695
|
54
|
Stub
|
Low
|
290
|
Barcalounger
|
1,691
|
54
|
Stub
|
Low
|
291
|
Verner Panton
|
1,686
|
54
|
Start
|
Low
|
292
|
Vitra (furniture)
|
1,677
|
54
|
Start
|
Low
|
293
|
Autism-friendly
|
1,657
|
53
|
C
|
Unknown
|
294
|
Poul Henningsen
|
1,648
|
53
|
C
|
Low
|
295
|
IGES
|
1,642
|
52
|
Start
|
Low
|
296
|
Ashtray
|
1,621
|
52
|
Start
|
Low
|
297
|
Bruno Munari
|
1,596
|
51
|
C
|
Mid
|
298
|
Florence Knoll
|
1,589
|
51
|
B
|
Low
|
299
|
La Rinascente
|
1,583
|
51
|
C
|
Low
|
300
|
Solid modeling
|
1,556
|
50
|
Start
|
Low
|
301
|
Bench (furniture)
|
1,550
|
50
|
Start
|
Unknown
|
302
|
Olivetti Valentine
|
1,537
|
49
|
B
|
Mid
|
303
|
Sam Maloof
|
1,536
|
49
|
Start
|
Low
|
304
|
Self-amalgamating tape
|
1,535
|
49
|
Stub
|
Low
|
305
|
IF Product Design Award
|
1,495
|
48
|
Start
|
Mid
|
306
|
Tetra Brik
|
1,484
|
47
|
Start
|
Low
|
307
|
Anglepoise lamp
|
1,475
|
47
|
Start
|
Low
|
308
|
Xerox 914
|
1,470
|
47
|
Stub
|
Low
|
309
|
AutoLISP
|
1,463
|
47
|
Start
|
Low
|
310
|
Papasan chair
|
1,454
|
46
|
Stub
|
Low
|
311
|
Juicy Salif
|
1,454
|
46
|
Start
|
Mid
|
312
|
Margaret Calvert
|
1,448
|
46
|
Start
|
Low
|
313
|
Luigi Colani
|
1,437
|
46
|
C
|
Low
|
314
|
Preferred number
|
1,429
|
46
|
Start
|
Low
|
315
|
Alfonso Bialetti
|
1,425
|
45
|
Stub
|
Low
|
316
|
List of adhesive tapes
|
1,424
|
45
|
List
|
Low
|
317
|
Prime Computer
|
1,416
|
45
|
Start
|
Low
|
318
|
Modern furniture
|
1,405
|
45
|
Stub
|
Low
|
319
|
Programma 101
|
1,404
|
45
|
C
|
Low
|
320
|
Ulm School of Design
|
1,401
|
45
|
C
|
High
|
321
|
Michael Thonet
|
1,393
|
44
|
Start
|
Low
|
322
|
Lilly Reich
|
1,388
|
44
|
C
|
High
|
323
|
Chest (furniture)
|
1,385
|
44
|
Start
|
Unknown
|
324
|
Curb cut
|
1,384
|
44
|
Start
|
Unknown
|
325
|
ACIS
|
1,379
|
44
|
Start
|
Low
|
326
|
Design patent
|
1,374
|
44
|
Start
|
High
|
327
|
Apple Industrial Design Group
|
1,366
|
44
|
Start
|
Mid
|
328
|
Design system
|
1,364
|
44
|
C
|
Low
|
329
|
Crippleware
|
1,362
|
43
|
Start
|
Low
|
330
|
History of anthropometry
|
1,347
|
43
|
C
|
Low
|
331
|
Design for X
|
1,346
|
43
|
Start
|
Mid
|
332
|
Butterfly chair
|
1,339
|
43
|
Start
|
Mid
|
333
|
Ford 021C
|
1,337
|
43
|
B
|
Low
|
334
|
Vitsœ
|
1,323
|
42
|
Start
|
Low
|
335
|
Pete Brock
|
1,318
|
42
|
Start
|
Low
|
336
|
Handle
|
1,305
|
42
|
Start
|
Low
|
337
|
Phaidon Press
|
1,284
|
41
|
C
|
Low
|
338
|
Iittala
|
1,280
|
41
|
C
|
Mid
|
339
|
Snow White design language
|
1,270
|
40
|
C
|
Low
|
340
|
IDC School of Design
|
1,269
|
40
|
Start
|
Mid
|
341
|
Danish modern
|
1,266
|
40
|
C
|
Mid
|
342
|
E. Fay Jones
|
1,263
|
40
|
Start
|
Low
|
343
|
Gae Aulenti
|
1,260
|
40
|
B
|
High
|
344
|
Hybrid electric aircraft
|
1,260
|
40
|
C
|
Low
|
345
|
ALCO DL-109
|
1,258
|
40
|
B
|
Mid
|
346
|
Christopher Dresser
|
1,242
|
40
|
Start
|
High
|
347
|
David M. Kelley
|
1,223
|
39
|
Start
|
High
|
348
|
Marshmallow sofa
|
1,220
|
39
|
Start
|
Unknown
|
349
|
Jean-Michel Frank
|
1,217
|
39
|
Start
|
Mid
|
350
|
Nameplate
|
1,212
|
39
|
Start
|
Mid
|
351
|
C. F. A. Voysey
|
1,211
|
39
|
C
|
Low
|
352
|
Design methods
|
1,204
|
38
|
C
|
High
|
353
|
Eames Lounge Chair Wood
|
1,204
|
38
|
Stub
|
Low
|
354
|
David Rockwell
|
1,204
|
38
|
C
|
Low
|
355
|
Egg (chair)
|
1,195
|
38
|
Start
|
Low
|
356
|
Balanced-arm lamp
|
1,185
|
38
|
Start
|
Low
|
357
|
Tom Dixon (industrial designer)
|
1,184
|
38
|
C
|
Mid
|
358
|
Ball Chair
|
1,182
|
38
|
Stub
|
Mid
|
359
|
Salamander heater
|
1,178
|
38
|
Stub
|
Unknown
|
360
|
Enzo Mari
|
1,172
|
37
|
Start
|
Mid
|
361
|
Corrugated box design
|
1,167
|
37
|
C
|
Mid
|
362
|
Compasso d'Oro
|
1,164
|
37
|
C
|
High
|
363
|
Harry Bertoia
|
1,155
|
37
|
C
|
Mid
|
364
|
Joe Colombo (designer)
|
1,154
|
37
|
C
|
Mid
|
365
|
Action Office
|
1,154
|
37
|
Start
|
Unknown
|
366
|
André-Charles Boulle
|
1,151
|
37
|
C
|
Low
|
367
|
Yinka Ilori
|
1,138
|
36
|
B
|
Low
|
368
|
BoConcept
|
1,109
|
35
|
Start
|
Mid
|
369
|
Shapr3D
|
1,109
|
35
|
Start
|
Low
|
370
|
Kenneth Grange
|
1,106
|
35
|
Start
|
Mid
|
371
|
Balustrade
|
1,104
|
35
|
Redirect
|
NA
|
372
|
B.C. Rich Mockingbird
|
1,101
|
35
|
Start
|
Low
|
373
|
Photographic lens design
|
1,096
|
35
|
C
|
Low
|
374
|
Nendo (design firm)
|
1,094
|
35
|
C
|
Low
|
375
|
Brooks Stevens
|
1,093
|
35
|
Start
|
Low
|
376
|
Wishbone chair
|
1,087
|
35
|
Start
|
Unknown
|
377
|
Design history
|
1,084
|
34
|
Start
|
Mid
|
378
|
Émile-Jacques Ruhlmann
|
1,079
|
34
|
Start
|
Low
|
379
|
Samuel Ross
|
1,078
|
34
|
C
|
Mid
|
380
|
Industrial style
|
1,077
|
34
|
Stub
|
Low
|
381
|
Predicta
|
1,073
|
34
|
Start
|
Low
|
382
|
Arabia (brand)
|
1,071
|
34
|
Start
|
Low
|
383
|
John Hoke III
|
1,071
|
34
|
C
|
Mid
|
384
|
Victor Papanek
|
1,060
|
34
|
Start
|
Low
|
385
|
Cantilever chair
|
1,048
|
33
|
Stub
|
Low
|
386
|
.3ds
|
1,047
|
33
|
Start
|
Unknown
|
387
|
List of Motorola V series phones
|
1,044
|
33
|
List
|
Low
|
388
|
Chief design officer
|
1,044
|
33
|
Start
|
Mid
|
389
|
Double-sided tape
|
1,041
|
33
|
Stub
|
Low
|
390
|
Eames Fiberglass Armchair
|
1,038
|
33
|
B
|
Mid
|
391
|
Mitsubishi Model A
|
1,033
|
33
|
Start
|
Low
|
392
|
JT (visualization format)
|
1,030
|
33
|
Start
|
Low
|
393
|
Bracken Darrell
|
1,025
|
33
|
Start
|
Low
|
394
|
Package cushioning
|
1,024
|
33
|
C
|
Unknown
|
395
|
Vox Phantom
|
1,022
|
32
|
Stub
|
Low
|
396
|
Virtual actor
|
1,013
|
32
|
Start
|
Low
|
397
|
Quink
|
1,009
|
32
|
C
|
Low
|
398
|
List of Italian designers
|
1,009
|
32
|
List
|
Mid
|
399
|
Human factors and ergonomics
|
1,007
|
32
|
Redirect
|
High
|
400
|
Soybean car
|
992
|
32
|
Start
|
Low
|
401
|
George Hepplewhite
|
989
|
31
|
Start
|
Low
|
402
|
Architectural rendering
|
986
|
31
|
Start
|
Low
|
403
|
Industrial design right
|
984
|
31
|
Start
|
Mid
|
404
|
Blenko Glass Company
|
979
|
31
|
C
|
Mid
|
405
|
Inclusive design
|
969
|
31
|
C
|
Low
|
406
|
Globe Wernicke
|
963
|
31
|
Start
|
Low
|
407
|
Danish design
|
962
|
31
|
C
|
Mid
|
408
|
Apple Design Awards
|
959
|
30
|
Start
|
Mid
|
409
|
Mike Sinyard
|
959
|
30
|
Stub
|
Low
|
410
|
Carrel desk
|
957
|
30
|
Start
|
Low
|
411
|
Black & Decker DustBuster
|
955
|
30
|
Stub
|
Low
|
412
|
Lemon squeezer
|
950
|
30
|
Start
|
Low
|
413
|
Wah Chang
|
947
|
30
|
C
|
Low
|
414
|
Eva Zeisel
|
942
|
30
|
C
|
Low
|
415
|
Marianne Brandt
|
937
|
30
|
C
|
Mid
|
416
|
Emotional Design
|
932
|
30
|
Stub
|
Mid
|
417
|
Russel Wright
|
918
|
29
|
C
|
High
|
418
|
Coop Himmelb(l)au
|
915
|
29
|
Start
|
Low
|
419
|
Superstudio
|
913
|
29
|
C
|
Low
|
420
|
Autodesk Alias
|
911
|
29
|
Stub
|
Low
|
421
|
Radiogram (device)
|
909
|
29
|
Start
|
Low
|
422
|
Class A surface
|
908
|
29
|
Stub
|
Low
|
423
|
Leonardo Fioravanti (engineer)
|
908
|
29
|
Start
|
Low
|
424
|
Naoto Fukasawa
|
907
|
29
|
C
|
High
|
425
|
Trans-Oceanic
|
900
|
29
|
Start
|
Low
|
426
|
Hatstand
|
900
|
29
|
Stub
|
Unknown
|
427
|
Gebrüder Thonet
|
895
|
28
|
Stub
|
Low
|
428
|
Ron Arad (industrial designer)
|
894
|
28
|
C
|
Low
|
429
|
Damro
|
893
|
28
|
Start
|
Low
|
430
|
Jasper Morrison
|
889
|
28
|
C
|
High
|
431
|
Afzal Kahn (automotive designer)
|
889
|
28
|
Start
|
Low
|
432
|
Emeco 1006
|
881
|
28
|
GA
|
Low
|
433
|
G Plan
|
873
|
28
|
C
|
Unknown
|
434
|
Le Corbusier's Furniture
|
861
|
27
|
Start
|
Mid
|
435
|
Marcel Janco
|
853
|
27
|
B
|
Low
|
436
|
Lewis (lifting appliance)
|
853
|
27
|
C
|
Low
|
437
|
Paul Philippe Cret
|
852
|
27
|
Start
|
Low
|
438
|
Alexander Girard
|
851
|
27
|
Start
|
Low
|
439
|
Brno chair
|
847
|
27
|
Stub
|
Low
|
440
|
Aluminum Christmas tree
|
843
|
27
|
Start
|
Low
|
441
|
Synthetic setae
|
837
|
27
|
B
|
Low
|
442
|
IKEA pencil
|
837
|
27
|
Stub
|
Low
|
443
|
ShotGrid
|
837
|
27
|
Stub
|
Unknown
|
444
|
Ericofon
|
834
|
26
|
Start
|
Low
|
445
|
Utility furniture
|
834
|
26
|
C
|
Low
|
446
|
Massimo Tamburini
|
828
|
26
|
B
|
Low
|
447
|
Grand Confort
|
826
|
26
|
Start
|
Mid
|
448
|
Achille Castiglioni
|
820
|
26
|
B
|
High
|
449
|
Gaetano Pesce
|
817
|
26
|
B
|
Mid
|
450
|
Rover JET1
|
816
|
26
|
Start
|
Low
|
451
|
21 21 Design Sight
|
814
|
26
|
Start
|
Low
|
452
|
Teague (company)
|
811
|
26
|
Stub
|
Low
|
453
|
Marcel Wanders
|
810
|
26
|
Start
|
Low
|
454
|
Mental Images
|
803
|
25
|
Stub
|
Low
|
455
|
Hartmut Esslinger
|
797
|
25
|
C
|
High
|
456
|
Jan Wilsgaard
|
794
|
25
|
Start
|
Low
|
457
|
Clocky
|
793
|
25
|
Stub
|
Low
|
458
|
Devon Motorworks
|
793
|
25
|
C
|
Low
|
459
|
William Lescaze
|
785
|
25
|
B
|
Low
|
460
|
Mario Bellini
|
783
|
25
|
C
|
High
|
461
|
Lloyd Groff Copeman
|
783
|
25
|
Start
|
Low
|
462
|
Artek (company)
|
782
|
25
|
Start
|
Low
|
463
|
List of furniture designers
|
781
|
25
|
List
|
Mid
|
464
|
Valextra
|
777
|
25
|
Start
|
Low
|
465
|
Richard Sapper
|
775
|
25
|
B
|
High
|
466
|
Norwich University of the Arts
|
764
|
24
|
Start
|
Low
|
467
|
Patricia Urquiola
|
758
|
24
|
Start
|
High
|
468
|
Picnic table
|
756
|
24
|
Start
|
Unknown
|
469
|
WildBrain CPLG
|
749
|
24
|
Stub
|
Low
|
470
|
Tapio Wirkkala
|
746
|
24
|
Start
|
Mid
|
471
|
Electronic packaging
|
746
|
24
|
C
|
Mid
|
472
|
Sergio Pininfarina
|
744
|
24
|
Start
|
Mid
|
473
|
Paolo Monti
|
741
|
23
|
Start
|
Low
|
474
|
Paul Mayén
|
740
|
23
|
Start
|
Low
|
475
|
Strandkorb
|
733
|
23
|
Stub
|
Low
|
476
|
Kosta Boda
|
730
|
23
|
Start
|
Low
|
477
|
ISO 13567
|
726
|
23
|
Start
|
Low
|
478
|
Isogeometric analysis
|
726
|
23
|
Stub
|
Low
|
479
|
Design studies
|
726
|
23
|
C
|
Mid
|
480
|
Chess in the arts
|
725
|
23
|
B
|
Low
|
481
|
Design research
|
724
|
23
|
Stub
|
Low
|
482
|
Milo Baughman
|
723
|
23
|
Start
|
Low
|
483
|
Director's chair
|
720
|
23
|
Stub
|
Low
|
484
|
Design theory
|
719
|
23
|
Start
|
Low
|
485
|
Celery vase
|
718
|
23
|
Start
|
Low
|
486
|
Doccia porcelain
|
717
|
23
|
C
|
Low
|
487
|
Vox Mark III
|
709
|
22
|
Stub
|
Low
|
488
|
Laurens van den Acker
|
706
|
22
|
Start
|
Low
|
489
|
Packaging and packaging waste directive
|
705
|
22
|
Stub
|
Mid
|
490
|
Henry Petroski
|
700
|
22
|
Start
|
Low
|
491
|
Thomas Hope (designer)
|
698
|
22
|
Start
|
Low
|
492
|
Waterfall furniture
|
697
|
22
|
Start
|
Low
|
493
|
Carlo Mollino
|
696
|
22
|
C
|
Mid
|
494
|
Pierre Paulin
|
696
|
22
|
Start
|
Low
|
495
|
Eero Aarnio
|
692
|
22
|
Start
|
Mid
|
496
|
Lucienne Day
|
690
|
22
|
Start
|
Low
|
497
|
Changing table
|
689
|
22
|
Stub
|
Low
|
498
|
CAD standards
|
689
|
22
|
Start
|
Low
|
499
|
Sunlounger
|
688
|
22
|
Stub
|
Low
|
500
|
Kartell
|
687
|
22
|
Start
|
Low
|
501
|
Alex Tremulis
|
682
|
22
|
Start
|
Low
|
502
|
PH-lamp
|
682
|
22
|
Start
|
Low
|
503
|
Dezeen
|
682
|
22
|
Start
|
Low
|
504
|
Design science
|
673
|
21
|
Start
|
High
|
505
|
B&B Italia
|
672
|
21
|
C
|
Mid
|
506
|
Functional design
|
671
|
21
|
Stub
|
Mid
|
507
|
D. J. De Pree
|
669
|
21
|
Stub
|
Low
|
508
|
Andrew Ure
|
666
|
21
|
B
|
Low
|
509
|
Pipsan Saarinen Swanson
|
658
|
21
|
Start
|
Low
|
510
|
Louis Majorelle
|
653
|
21
|
C
|
Mid
|
511
|
Finn Juhl
|
653
|
21
|
C
|
Mid
|
512
|
Design management
|
652
|
21
|
C
|
Top
|
513
|
Zaisu
|
651
|
21
|
Start
|
Low
|
514
|
Apple Inc. design motifs
|
651
|
21
|
C
|
Low
|
515
|
Gorilla Tape
|
645
|
20
|
Start
|
Low
|
516
|
Lingerie tape
|
643
|
20
|
Stub
|
Low
|
517
|
Wendell Castle
|
640
|
20
|
C
|
Low
|
518
|
Chaise Longue (Le Corbusier)
|
639
|
20
|
Stub
|
Low
|
519
|
Geometric modeling
|
635
|
20
|
Stub
|
Low
|
520
|
Porsche Type 12
|
634
|
20
|
C
|
Low
|
521
|
Freeform surface modelling
|
630
|
20
|
Start
|
Low
|
522
|
Anna Maria Niemeyer
|
627
|
20
|
C
|
Mid
|
523
|
Takeo Kikuchi
|
625
|
20
|
Stub
|
Low
|
524
|
Zig-Zag Chair
|
621
|
20
|
Stub
|
Low
|
525
|
Thomas Sheraton
|
619
|
19
|
Stub
|
Low
|
526
|
Model 3107 chair
|
619
|
19
|
Stub
|
Low
|
527
|
Product innovation
|
617
|
19
|
Start
|
Unknown
|
528
|
Fabien Baron
|
617
|
19
|
Start
|
Low
|
529
|
Computer desk
|
615
|
19
|
Start
|
Low
|
530
|
Brionvega
|
615
|
19
|
B
|
Mid
|
531
|
Walter Dorwin Teague
|
614
|
19
|
Start
|
Low
|
532
|
Design Council
|
614
|
19
|
Start
|
Mid
|
533
|
Serge Chermayeff
|
614
|
19
|
C
|
Mid
|
534
|
Rick Dickinson
|
612
|
19
|
C
|
Mid
|
535
|
Knowledge-based engineering
|
605
|
19
|
Start
|
Low
|
536
|
Campana brothers
|
603
|
19
|
Start
|
Low
|
537
|
Transitional Style
|
601
|
19
|
Start
|
Unknown
|
538
|
David Mellor (designer)
|
600
|
19
|
Start
|
Low
|
539
|
Dominant design
|
598
|
19
|
Start
|
High
|
540
|
Designworks
|
598
|
19
|
C
|
Low
|
541
|
Strategic design
|
595
|
19
|
Start
|
High
|
542
|
Ligne Roset
|
593
|
19
|
Stub
|
Low
|
543
|
Bambooworking
|
592
|
19
|
Start
|
Low
|
544
|
Philosophy of design
|
590
|
19
|
Stub
|
Unknown
|
545
|
Corradino D'Ascanio
|
587
|
18
|
C
|
Low
|
546
|
Timothy Oulton
|
584
|
18
|
Stub
|
Low
|
547
|
Retail design
|
578
|
18
|
C
|
Low
|
548
|
Eliot Noyes
|
575
|
18
|
B
|
Mid
|
549
|
Chicago Athenaeum
|
574
|
18
|
Start
|
Low
|
550
|
Grillo telephone
|
562
|
18
|
C
|
Mid
|
551
|
List of industrial designers
|
559
|
18
|
List
|
High
|
552
|
Beige box
|
550
|
17
|
Stub
|
Low
|
553
|
Ronan & Erwan Bouroullec
|
549
|
17
|
Start
|
Low
|
554
|
Shurtape Technologies
|
548
|
17
|
C
|
Unknown
|
555
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
543
|
17
|
Start
|
Low
|
556
|
Tom Hardy (designer)
|
539
|
17
|
C
|
Low
|
557
|
Design Academy Eindhoven
|
537
|
17
|
Start
|
Low
|
558
|
Lloyd Loom
|
533
|
17
|
Start
|
Unknown
|
559
|
Jean Dunand
|
529
|
17
|
Stub
|
Low
|
560
|
Shiro Kuramata
|
528
|
17
|
Stub
|
Low
|
561
|
CMF design
|
528
|
17
|
Start
|
Unknown
|
562
|
USM Modular Furniture
|
527
|
17
|
Start
|
Low
|
563
|
The HON Company
|
524
|
16
|
Start
|
Low
|
564
|
Kenya Hara
|
522
|
16
|
C
|
Low
|
565
|
Behavioural design
|
522
|
16
|
C
|
High
|
566
|
Cassina (company)
|
521
|
16
|
Start
|
Low
|
567
|
Clay modeling
|
520
|
16
|
Stub
|
Low
|
568
|
Kem Weber
|
517
|
16
|
Start
|
Low
|
569
|
Djinn chair
|
516
|
16
|
Start
|
Mid
|
570
|
Ernest Gimson
|
514
|
16
|
Start
|
Low
|
571
|
Domus (magazine)
|
514
|
16
|
C
|
Mid
|
572
|
Mart Stam
|
513
|
16
|
Start
|
Low
|
573
|
Stuart Pugh
|
508
|
16
|
Start
|
Low
|
574
|
IKEA Klippan
|
507
|
16
|
Start
|
Low
|
575
|
40/4 Chair
|
507
|
16
|
Start
|
Mid
|
576
|
Designmuseum Denmark
|
504
|
16
|
Start
|
Low
|
577
|
Robert Welch (designer)
|
503
|
16
|
Start
|
Low
|
578
|
Trimphone
|
503
|
16
|
Start
|
Low
|
579
|
Product and manufacturing information
|
502
|
16
|
Stub
|
Low
|
580
|
Yoichi Ochiai
|
502
|
16
|
C
|
Low
|
581
|
Moholy-Nagy University of Art and Design
|
501
|
16
|
Start
|
Low
|
582
|
Bantam BRC
|
501
|
16
|
B
|
Mid
|
583
|
African Regional Intellectual Property Organization
|
499
|
16
|
Stub
|
Low
|
584
|
Bill Moggridge
|
496
|
16
|
B
|
High
|
585
|
Geometric design
|
496
|
16
|
Start
|
Low
|
586
|
Picquot ware
|
496
|
16
|
Stub
|
Low
|
587
|
Delcam
|
494
|
15
|
Stub
|
Low
|
588
|
Tugendhat chair
|
493
|
15
|
Stub
|
Low
|
589
|
Robin Day (designer)
|
493
|
15
|
C
|
High
|
590
|
Thomas Day (cabinetmaker)
|
491
|
15
|
B
|
Low
|
591
|
Transgenerational design
|
491
|
15
|
C
|
Mid
|
592
|
Ant (chair)
|
490
|
15
|
Stub
|
Mid
|
593
|
James Krenov
|
487
|
15
|
Start
|
Low
|
594
|
Design museum
|
486
|
15
|
Start
|
Low
|
595
|
Design Museum of Barcelona
|
486
|
15
|
C
|
Low
|
596
|
Ora Ito
|
485
|
15
|
Stub
|
Low
|
597
|
Gooseneck lamp
|
485
|
15
|
Stub
|
Low
|
598
|
F. Schumacher & Co.
|
483
|
15
|
C
|
Mid
|
599
|
Adjustable Table E 1027
|
483
|
15
|
Start
|
Mid
|
600
|
Olivetti Elea
|
480
|
15
|
B
|
Low
|
601
|
Viktor Schreckengost
|
478
|
15
|
Start
|
Low
|
602
|
Museum of Applied Arts (Budapest)
|
475
|
15
|
Start
|
Low
|
603
|
Tensor lamp
|
474
|
15
|
Start
|
Unknown
|
604
|
Organosolv
|
473
|
15
|
C
|
Low
|
605
|
Widdicomb Furniture Company
|
472
|
15
|
Start
|
Mid
|
606
|
Digital mockup
|
469
|
15
|
Stub
|
Low
|
607
|
Knole Settee
|
468
|
15
|
Start
|
Unknown
|
608
|
Central Institute of Tool Design
|
467
|
15
|
Start
|
Low
|
609
|
Murano Glass Museum
|
464
|
14
|
Start
|
Mid
|
610
|
Niels Diffrient
|
461
|
14
|
C
|
High
|
611
|
Sabine Marcelis
|
461
|
14
|
C
|
Mid
|
612
|
10 Downing Street Guard Chairs
|
460
|
14
|
Start
|
Low
|
613
|
Børge Mogensen
|
459
|
14
|
Start
|
Low
|
614
|
Vertical form fill sealing machine
|
456
|
14
|
Start
|
Low
|
615
|
Injection mold construction
|
456
|
14
|
Start
|
Unknown
|
616
|
Subaru Suiren
|
455
|
14
|
Start
|
Unknown
|
617
|
Design for the environment
|
454
|
14
|
C
|
Low
|
618
|
Draw sheet
|
452
|
14
|
Start
|
Low
|
619
|
S1 MP3 player
|
450
|
14
|
C
|
Low
|
620
|
Antonio Citterio
|
450
|
14
|
Start
|
Mid
|
621
|
Radical period
|
450
|
14
|
Stub
|
Mid
|
622
|
Enrico Fumia
|
449
|
14
|
Start
|
Low
|
623
|
Green engineering
|
449
|
14
|
C
|
Unknown
|
624
|
ASME Y14.41
|
448
|
14
|
Stub
|
Low
|
625
|
International Forum Design
|
448
|
14
|
Stub
|
Low
|
626
|
Eames Aluminum Group
|
447
|
14
|
Start
|
Unknown
|
627
|
Donald Deskey
|
446
|
14
|
Start
|
Low
|
628
|
Beswick Pottery
|
446
|
14
|
Start
|
Mid
|
629
|
Wells Coates
|
442
|
14
|
C
|
Low
|
630
|
Bernadotte & Kylberg
|
441
|
14
|
Start
|
Unknown
|
631
|
Kaare Klint
|
439
|
14
|
C
|
Mid
|
632
|
Alexander Neumeister
|
438
|
14
|
Stub
|
Low
|
633
|
Ini Archibong
|
438
|
14
|
B
|
Mid
|
634
|
Oki Sato
|
437
|
14
|
Start
|
Low
|
635
|
Diego Giacometti
|
435
|
14
|
Start
|
Low
|
636
|
Swan (chair)
|
435
|
14
|
Stub
|
Mid
|
637
|
Thomas Thwaites (designer)
|
430
|
13
|
Start
|
Low
|
638
|
Nebiolo Printech
|
429
|
13
|
Start
|
Low
|
639
|
Alma Siedhoff-Buscher
|
427
|
13
|
Stub
|
Unknown
|
640
|
Isovist
|
426
|
13
|
Stub
|
Low
|
641
|
CAD data exchange
|
425
|
13
|
Start
|
Low
|
642
|
Ingo Maurer
|
425
|
13
|
B
|
Low
|
643
|
Charles Eastlake
|
424
|
13
|
Stub
|
Low
|
644
|
Ravi Sawhney
|
423
|
13
|
Stub
|
Low
|
645
|
Friction tape
|
422
|
13
|
Stub
|
Low
|
646
|
Lean product development
|
422
|
13
|
Start
|
High
|
647
|
Piero Portaluppi
|
422
|
13
|
C
|
Low
|
648
|
Robert Propst (inventor)
|
420
|
13
|
Stub
|
Low
|
649
|
Ugo Zagato
|
415
|
13
|
Start
|
Low
|
650
|
Morag Myerscough
|
415
|
13
|
Start
|
Low
|
651
|
ANSA pre-processor
|
414
|
13
|
Stub
|
Unknown
|
652
|
Product structure modeling
|
411
|
13
|
Start
|
Low
|
653
|
Peter Opsvik
|
410
|
13
|
C
|
Low
|
654
|
Herter Brothers
|
408
|
13
|
Start
|
Low
|
655
|
Idea (disambiguation)
|
407
|
13
|
Disambig
|
NA
|
656
|
Jens Risom
|
406
|
13
|
Start
|
Low
|
657
|
Isophote
|
405
|
13
|
Stub
|
Unknown
|
658
|
Carl Hansen & Søn
|
402
|
12
|
Start
|
Unknown
|
659
|
Design life
|
400
|
12
|
Start
|
Low
|
660
|
Richard Arbib
|
399
|
12
|
Start
|
Low
|
661
|
Box-sealing tape
|
396
|
12
|
Start
|
Low
|
662
|
Productionisation
|
391
|
12
|
Stub
|
Mid
|
663
|
Piero Lissoni
|
391
|
12
|
Start
|
Low
|
664
|
Goliath GP700
|
390
|
12
|
Start
|
Low
|
665
|
Tizio
|
389
|
12
|
Stub
|
Mid
|
666
|
Teak furniture
|
389
|
12
|
Start
|
Unknown
|
667
|
Franco Albini
|
389
|
12
|
Start
|
Mid
|
668
|
Jack Lenor Larsen
|
388
|
12
|
C
|
Low
|
669
|
Bubble chair
|
387
|
12
|
Stub
|
Low
|
670
|
Arco (lamp)
|
387
|
12
|
Start
|
High
|
671
|
Sixten Sason
|
383
|
12
|
Start
|
Low
|
672
|
Ross Lovegrove
|
381
|
12
|
Start
|
Mid
|
673
|
Lella Vignelli
|
381
|
12
|
B
|
Mid
|
674
|
Zagato Zele
|
378
|
12
|
Start
|
Low
|
675
|
Point of difference
|
378
|
12
|
Start
|
Mid
|
676
|
John Vassos
|
378
|
12
|
Start
|
Low
|
677
|
Furniture screw
|
376
|
12
|
B
|
Unknown
|
678
|
Empathic design
|
375
|
12
|
Start
|
Mid
|
679
|
Paul R. Evans
|
373
|
12
|
Start
|
Low
|
680
|
Dorothy Liebes
|
373
|
12
|
C
|
Low
|
681
|
Paolo Venini
|
372
|
12
|
C
|
Low
|
682
|
Auxiliary label
|
371
|
11
|
Start
|
Low
|
683
|
Timo Sarpaneva
|
370
|
11
|
C
|
Mid
|
684
|
Jens Quistgaard
|
369
|
11
|
Start
|
Low
|
685
|
Drop-leaf table
|
368
|
11
|
Stub
|
Unknown
|
686
|
Winged edge
|
367
|
11
|
Stub
|
Low
|
687
|
James T. Baldwin
|
366
|
11
|
Start
|
Low
|
688
|
Carlton House desk
|
362
|
11
|
Start
|
Unknown
|
689
|
École cantonale d'art de Lausanne
|
361
|
11
|
C
|
Mid
|
690
|
Virtual design and construction
|
360
|
11
|
Stub
|
Low
|
691
|
World Design Capital
|
360
|
11
|
Stub
|
Low
|
692
|
Design studio
|
357
|
11
|
Redirect
|
NA
|
693
|
Zuber & Cie
|
355
|
11
|
Start
|
Mid
|
694
|
Maarten Baas
|
355
|
11
|
Stub
|
Low
|
695
|
Wilhelm Wagenfeld
|
354
|
11
|
Start
|
Low
|
696
|
Kvadrat (company)
|
354
|
11
|
Start
|
Low
|
697
|
Nina Petronzio
|
353
|
11
|
Start
|
Low
|
698
|
Satyendra Pakhale
|
352
|
11
|
Start
|
Low
|
699
|
Folding seat
|
352
|
11
|
Stub
|
Low
|
700
|
Andrea Branzi
|
352
|
11
|
Start
|
Unknown
|
701
|
Virtual prototyping
|
351
|
11
|
Start
|
Low
|
702
|
Computer-automated design
|
348
|
11
|
Stub
|
Low
|
703
|
Gufram
|
347
|
11
|
C
|
Mid
|
704
|
Solid sorbents for carbon capture
|
345
|
11
|
C
|
Unknown
|
705
|
L. Bruce Archer
|
344
|
11
|
Start
|
Low
|
706
|
Arik Levy
|
343
|
11
|
Start
|
Low
|
707
|
Tom Karen
|
341
|
11
|
Start
|
Low
|
708
|
Typewriter desk
|
339
|
10
|
Start
|
Unknown
|
709
|
Kaj Franck
|
338
|
10
|
Start
|
Low
|
710
|
Marco Zanuso
|
338
|
10
|
C
|
Mid
|
711
|
Simplexity
|
335
|
10
|
Start
|
Low
|
712
|
Robert Brunner
|
334
|
10
|
Start
|
Mid
|
713
|
Jock Kinneir
|
334
|
10
|
Start
|
Low
|
714
|
Icon design
|
333
|
10
|
Start
|
Unknown
|
715
|
Cifra 3
|
333
|
10
|
Start
|
Low
|
716
|
Paul T. Frankl
|
333
|
10
|
Start
|
Low
|
717
|
Ellen's Next Great Designer
|
333
|
10
|
Start
|
Low
|
718
|
Hanssem
|
333
|
10
|
Start
|
Low
|
719
|
List of awards and nominations received by Jony Ive
|
331
|
10
|
List
|
Low
|
720
|
Design education
|
330
|
10
|
Stub
|
Low
|
721
|
Vico Magistretti
|
329
|
10
|
C
|
High
|
722
|
ICAD (software)
|
328
|
10
|
Start
|
Low
|
723
|
Gordon Russell (designer)
|
324
|
10
|
Start
|
Low
|
724
|
Matteo Thun
|
324
|
10
|
Start
|
Low
|
725
|
Museum of Design, Zurich
|
323
|
10
|
Start
|
Mid
|
726
|
Design classic
|
323
|
10
|
Start
|
Low
|
727
|
EPA WaterSense
|
322
|
10
|
Stub
|
Mid
|
728
|
Xanti Schawinsky
|
322
|
10
|
Start
|
Unknown
|
729
|
VDA 6.1
|
321
|
10
|
Stub
|
Low
|
730
|
Isokon Long Chair
|
319
|
10
|
Stub
|
Unknown
|
731
|
Daniel Marot
|
318
|
10
|
Start
|
Low
|
732
|
Musgrave Pencil Company
|
318
|
10
|
Start
|
Unknown
|
733
|
Gooseneck (fixture)
|
318
|
10
|
Start
|
Low
|
734
|
Emilio Ambasz
|
315
|
10
|
C
|
Mid
|
735
|
Model 60 stacking stool
|
315
|
10
|
Start
|
Low
|
736
|
I.D. (magazine)
|
313
|
10
|
Start
|
Mid
|
737
|
Jean-Michel Wilmotte
|
312
|
10
|
C
|
Low
|
738
|
Design Research Unit
|
312
|
10
|
Stub
|
Low
|
739
|
Martine Bedin
|
312
|
10
|
C
|
Low
|
740
|
List of Bunnykins figurines
|
310
|
10
|
List
|
Mid
|
741
|
Betty Joel
|
310
|
10
|
Start
|
Unknown
|
742
|
Quad-edge
|
306
|
9
|
Stub
|
Low
|
743
|
Rico Daniels
|
306
|
9
|
Stub
|
Low
|
744
|
Flos B&B Italia Group
|
306
|
9
|
Stub
|
Mid
|
745
|
World Design Organization
|
305
|
9
|
Start
|
High
|
746
|
Bruno Paul
|
304
|
9
|
Stub
|
Low
|
747
|
Hans Gugelot
|
304
|
9
|
Start
|
Low
|
748
|
Sonic interaction design
|
303
|
9
|
Stub
|
Low
|
749
|
Rover chair
|
303
|
9
|
B
|
Mid
|
750
|
Thomas Hayo
|
302
|
9
|
Stub
|
Low
|
751
|
Maison et Objet
|
301
|
9
|
Stub
|
Low
|
752
|
Rolf Fehlbaum
|
300
|
9
|
C
|
Low
|
753
|
Harris Lebus
|
299
|
9
|
Start
|
Low
|
754
|
Filament tape
|
299
|
9
|
Start
|
Low
|
755
|
Stevengraph
|
298
|
9
|
Start
|
Mid
|
756
|
Piet Zwart
|
297
|
9
|
Start
|
Low
|
757
|
Metal furniture
|
297
|
9
|
Start
|
Unknown
|
758
|
PH Artichoke
|
296
|
9
|
Stub
|
Low
|
759
|
Helen Dryden
|
296
|
9
|
C
|
Low
|
760
|
Tolomeo desk lamp
|
295
|
9
|
Start
|
Low
|
761
|
Christopher Guy Harrison
|
295
|
9
|
Stub
|
Low
|
762
|
George Sowden
|
294
|
9
|
Start
|
Low
|
763
|
Jonathan Glancey
|
293
|
9
|
Start
|
Low
|
764
|
Braun LE1
|
293
|
9
|
Stub
|
Low
|
765
|
Computer-aided industrial design
|
292
|
9
|
Stub
|
High
|
766
|
Charles "Chuck" Harrison
|
292
|
9
|
C
|
Low
|
767
|
Paul McCobb
|
292
|
9
|
C
|
Low
|
768
|
Ikepod
|
290
|
9
|
Start
|
Low
|
769
|
Cesar Vergara
|
289
|
9
|
Start
|
Low
|
770
|
Design paradigm
|
287
|
9
|
Start
|
Low
|
771
|
Community design
|
287
|
9
|
Start
|
Mid
|
772
|
MEDUSA4
|
287
|
9
|
Start
|
Unknown
|
773
|
David Roentgen
|
286
|
9
|
Start
|
Low
|
774
|
Designboom
|
285
|
9
|
Start
|
Low
|
775
|
Moooi
|
285
|
9
|
B
|
Low
|
776
|
United States House Energy Subcommittee on Environment
|
283
|
9
|
Start
|
Unknown
|
777
|
Emeline King
|
283
|
9
|
Start
|
Low
|
778
|
James Dyson Award
|
281
|
9
|
Start
|
Low
|
779
|
HeeksCAD
|
281
|
9
|
Start
|
Mid
|
780
|
T. H. Robsjohn-Gibbings
|
280
|
9
|
Start
|
Low
|
781
|
Fuseproject
|
280
|
9
|
Stub
|
Low
|
782
|
Nanna Ditzel
|
280
|
9
|
Stub
|
Low
|
783
|
Barber Osgerby
|
280
|
9
|
C
|
Low
|
784
|
Dunne & Raby
|
279
|
9
|
Stub
|
Low
|
785
|
Poul Kjærholm
|
278
|
8
|
Start
|
Low
|
786
|
Bruno Mathsson
|
275
|
8
|
Start
|
Low
|
787
|
Eric Stoddard
|
275
|
8
|
Stub
|
Low
|
788
|
Josef Hartwig
|
275
|
8
|
Start
|
Low
|
789
|
Neil Poulton
|
274
|
8
|
C
|
Low
|
790
|
SolidThinking
|
274
|
8
|
Stub
|
Low
|
791
|
Electric guitar design
|
273
|
8
|
Start
|
Low
|
792
|
Sphinx (home automation system)
|
273
|
8
|
Start
|
Mid
|
793
|
Syd Mead's Terraforming
|
268
|
8
|
Stub
|
Low
|
794
|
Corrugated box
|
267
|
8
|
Redirect
|
NA
|
795
|
Don Chadwick
|
267
|
8
|
Start
|
Low
|
796
|
Nondestructive Evaluation 4.0
|
267
|
8
|
C
|
Unknown
|
797
|
Fabio Taglioni
|
266
|
8
|
Stub
|
Low
|
798
|
Howard "Dutch" Darrin
|
266
|
8
|
Stub
|
Unknown
|
799
|
UNISURF
|
265
|
8
|
Stub
|
Low
|
800
|
Marcello Nizzoli
|
265
|
8
|
Start
|
Low
|
801
|
WorkNC
|
265
|
8
|
Stub
|
Low
|
802
|
Tage Frid
|
264
|
8
|
Stub
|
Low
|
803
|
Sustainable furniture design
|
262
|
8
|
Stub
|
Unknown
|
804
|
Swedish Centre for Architecture and Design
|
260
|
8
|
C
|
Low
|
805
|
Gerd A. Müller
|
260
|
8
|
Start
|
Low
|
806
|
Suzie Zuzek
|
259
|
8
|
B
|
Low
|
807
|
Jack Pritchard
|
258
|
8
|
Stub
|
Low
|
808
|
ADI Design Museum
|
258
|
8
|
Start
|
Mid
|
809
|
Richard Schultz
|
257
|
8
|
Start
|
Low
|
810
|
Charles Limbert
|
257
|
8
|
Start
|
Low
|
811
|
Experiential interior design
|
257
|
8
|
Start
|
Mid
|
812
|
Gilbert Rohde
|
253
|
8
|
Start
|
Low
|
813
|
Weltron
|
252
|
8
|
C
|
Low
|
814
|
Jean Bérain the Elder
|
251
|
8
|
Start
|
Low
|
815
|
Alice Rawsthorn
|
250
|
8
|
C
|
Low
|
816
|
John Makepeace
|
248
|
8
|
Start
|
Low
|
817
|
Giulio Cappellini
|
247
|
7
|
Start
|
Low
|
818
|
Bodil Kjær
|
246
|
7
|
Start
|
Low
|
819
|
Mogul lamp
|
245
|
7
|
Start
|
Unknown
|
820
|
Poggenpohl
|
245
|
7
|
Stub
|
Low
|
821
|
Franklin D. Israel
|
245
|
7
|
Start
|
Unknown
|
822
|
Forward Look
|
244
|
7
|
Redirect
|
NA
|
823
|
Alexis de Sakhnoffsky
|
243
|
7
|
Start
|
Low
|
824
|
Multi-material injection molding
|
243
|
7
|
Start
|
Unknown
|
825
|
Clement Meadmore
|
242
|
7
|
C
|
Low
|
826
|
Chicken harvester
|
242
|
7
|
Start
|
Low
|
827
|
Georgia Tech Shenzhen Institute, Tianjin University
|
242
|
7
|
Stub
|
Low
|
828
|
Function-Behaviour-Structure ontology
|
241
|
7
|
C
|
Unknown
|
829
|
International Design Awards
|
241
|
7
|
Stub
|
Low
|
830
|
Constraint (computer-aided design)
|
240
|
7
|
Start
|
Low
|
831
|
A & M Karagheusian
|
239
|
7
|
Stub
|
Low
|
832
|
Harley-Davidson Motorcycle Factory Building
|
238
|
7
|
B
|
Low
|
833
|
Karlsruhe University of Arts and Design
|
237
|
7
|
C
|
Low
|
834
|
Helene Rother
|
237
|
7
|
B
|
Mid
|
835
|
Unimark International
|
237
|
7
|
Start
|
Low
|
836
|
Ovalia Egg Chair
|
237
|
7
|
Stub
|
Low
|
837
|
Heller, Inc.
|
237
|
7
|
C
|
Mid
|
838
|
Stehli Silks
|
237
|
7
|
C
|
Low
|
839
|
Core77
|
236
|
7
|
Stub
|
Low
|
840
|
Studio Alchimia
|
236
|
7
|
Start
|
Unknown
|
841
|
Betty Thatcher Oros
|
235
|
7
|
Start
|
Mid
|
842
|
International Design Excellence Awards
|
234
|
7
|
Stub
|
Mid
|
843
|
Droog (company)
|
234
|
7
|
Start
|
Low
|
844
|
Roger Tallon
|
234
|
7
|
Start
|
Mid
|
845
|
Industrial Designers Society of America
|
234
|
7
|
Start
|
High
|
846
|
Rex (chair)
|
233
|
7
|
Stub
|
Low
|
847
|
Émile André
|
232
|
7
|
Stub
|
Low
|
848
|
Monterey Furniture
|
231
|
7
|
Start
|
Unknown
|
849
|
Paola Navone
|
231
|
7
|
Start
|
Unknown
|
850
|
Natural mapping (interface design)
|
230
|
7
|
Start
|
Mid
|
851
|
Assembly modelling
|
229
|
7
|
Stub
|
Low
|
852
|
Bill Stumpf
|
228
|
7
|
Start
|
Low
|
853
|
Dutch Design Week
|
228
|
7
|
Stub
|
Mid
|
854
|
Tip-top table
|
228
|
7
|
Stub
|
Unknown
|
855
|
London Design Festival
|
225
|
7
|
C
|
Mid
|
856
|
Dror Benshetrit
|
225
|
7
|
Start
|
Low
|
857
|
Easy Edges
|
224
|
7
|
Stub
|
Low
|
858
|
Polypropylene stacking chair
|
224
|
7
|
Stub
|
Low
|
859
|
Smart Design
|
223
|
7
|
Start
|
Mid
|
860
|
Earl R. Dean
|
222
|
7
|
Start
|
Low
|
861
|
Edgar Miller (artist)
|
222
|
7
|
C
|
Unknown
|
862
|
McKinley Thompson Jr.
|
221
|
7
|
C
|
Low
|
863
|
Geschmacksmuster
|
216
|
6
|
Stub
|
Low
|
864
|
Jon Bannenberg
|
216
|
6
|
Stub
|
Low
|
865
|
Barbara Radice
|
216
|
6
|
C
|
Mid
|
866
|
Alphonse Chapanis
|
215
|
6
|
Start
|
Low
|
867
|
Extreme users
|
215
|
6
|
C
|
Mid
|
868
|
Röhsska Museum
|
212
|
6
|
Start
|
Low
|
869
|
GRAITEC
|
212
|
6
|
Start
|
Low
|
870
|
Thomas Humber
|
212
|
6
|
C
|
Low
|
871
|
Design Museum of Chicago
|
212
|
6
|
B
|
Low
|
872
|
Grete Jalk
|
211
|
6
|
Start
|
Low
|
873
|
Design for lean manufacturing
|
211
|
6
|
Start
|
Mid
|
874
|
Flexform
|
211
|
6
|
Start
|
Low
|
875
|
Ve Elizabeth Cadie
|
211
|
6
|
Start
|
Low
|
876
|
Otto Kuhler
|
210
|
6
|
B
|
Mid
|
877
|
École Camondo
|
210
|
6
|
Stub
|
Low
|
878
|
3D floor plan
|
210
|
6
|
Stub
|
Low
|
879
|
Flavio Poli
|
210
|
6
|
Stub
|
Low
|
880
|
James Irvine (designer)
|
209
|
6
|
C
|
Mid
|
881
|
Pin-Up (magazine)
|
209
|
6
|
Start
|
Low
|
882
|
Pio Manzù
|
209
|
6
|
C
|
Low
|
883
|
Tucker Viemeister
|
208
|
6
|
Stub
|
Low
|
884
|
Edward Wormley
|
207
|
6
|
Stub
|
Low
|
885
|
Sheex
|
207
|
6
|
Start
|
Low
|
886
|
Blu Dot
|
206
|
6
|
Start
|
Low
|
887
|
NSU Trapeze
|
204
|
6
|
Start
|
Low
|
888
|
Oliver Lincoln Lundquist
|
203
|
6
|
C
|
Mid
|
889
|
Universal usability
|
202
|
6
|
C
|
Unknown
|
890
|
Joseph Claude Sinel
|
202
|
6
|
B
|
Low
|
891
|
Bethan Laura Wood
|
202
|
6
|
Start
|
Low
|
892
|
Diamond chair
|
199
|
6
|
Stub
|
Unknown
|
893
|
Cleo Baldon
|
199
|
6
|
Start
|
Mid
|
894
|
Michael Young (industrial designer)
|
199
|
6
|
C
|
High
|
895
|
Ambrose Heal
|
198
|
6
|
Stub
|
Low
|
896
|
École Boulle
|
198
|
6
|
Stub
|
Low
|
897
|
Jacques Adnet
|
198
|
6
|
Stub
|
Low
|
898
|
Ole Wanscher
|
198
|
6
|
Stub
|
Low
|
899
|
Pierre Frey
|
198
|
6
|
Start
|
Unknown
|
900
|
Pier Giacomo Castiglioni
|
197
|
6
|
C
|
High
|
901
|
Before Yesterday We Could Fly
|
196
|
6
|
B
|
Low
|
902
|
Design of plastic components
|
195
|
6
|
C
|
Unknown
|
903
|
Wood family
|
195
|
6
|
Start
|
Low
|
904
|
Andrés Reisinger
|
195
|
6
|
C
|
Low
|
905
|
Ton van de Ven
|
194
|
6
|
Stub
|
Low
|
906
|
Sara Little Turnbull
|
194
|
6
|
Start
|
Low
|
907
|
Jack Sangster
|
193
|
6
|
Start
|
Mid
|
908
|
Studio Drift
|
192
|
6
|
Start
|
Low
|
909
|
Design Museum Brussels
|
192
|
6
|
Start
|
Low
|
910
|
David Ogle
|
191
|
6
|
Start
|
Low
|
911
|
Color Marketing Group
|
191
|
6
|
Stub
|
Low
|
912
|
Angelo Mangiarotti
|
191
|
6
|
Start
|
Low
|
913
|
Bernhardt Design
|
191
|
6
|
Start
|
Low
|
914
|
Jimmyjane
|
189
|
6
|
Stub
|
Low
|
915
|
Systems-oriented design
|
189
|
6
|
C
|
Unknown
|
916
|
Floor marking tape
|
189
|
6
|
Stub
|
Low
|
917
|
Custom-fit
|
188
|
6
|
Start
|
Mid
|
918
|
Bungee chair
|
188
|
6
|
Stub
|
Low
|
919
|
Garden Egg chair
|
187
|
6
|
Stub
|
Low
|
920
|
Ignazio Gardella
|
186
|
6
|
C
|
Mid
|
921
|
Win Ng
|
186
|
6
|
Start
|
Low
|
922
|
Tony Chambers
|
186
|
6
|
C
|
Low
|
923
|
Wilkhahn
|
185
|
5
|
Start
|
Low
|
924
|
École nationale supérieure des arts appliqués et des métiers d'art
|
185
|
5
|
Start
|
Low
|
925
|
David Caon
|
185
|
5
|
C
|
Low
|
926
|
Allen Boothroyd
|
184
|
5
|
Stub
|
Low
|
927
|
African design
|
184
|
5
|
Start
|
Low
|
928
|
Arclinea
|
183
|
5
|
Start
|
Low
|
929
|
Carl Auböck
|
183
|
5
|
Start
|
Mid
|
930
|
Jerome and Evelyn Ackerman
|
182
|
5
|
C
|
Mid
|
931
|
IKEA Lack
|
182
|
5
|
Stub
|
Low
|
932
|
DAC-1
|
181
|
5
|
Start
|
Low
|
933
|
Jean Puiforcat
|
181
|
5
|
Start
|
Mid
|
934
|
Studio Swine
|
180
|
5
|
C
|
Low
|
935
|
Barnsley brothers
|
179
|
5
|
Start
|
Low
|
936
|
Claesson Koivisto Rune
|
179
|
5
|
Stub
|
Low
|
937
|
Tom Ahlström
|
179
|
5
|
Start
|
Mid
|
938
|
François-Honoré-Georges Jacob-Desmalter
|
177
|
5
|
Start
|
Low
|
939
|
Design competition
|
177
|
5
|
Start
|
Unknown
|
940
|
Benjamin Bowden
|
177
|
5
|
Start
|
Unknown
|
941
|
Applicon
|
176
|
5
|
Stub
|
Low
|
942
|
Collaborative product development
|
174
|
5
|
Start
|
Low
|
943
|
Design Exchange
|
174
|
5
|
Start
|
Low
|
944
|
Ammunition Design Group
|
174
|
5
|
Start
|
Low
|
945
|
Roger C. Field
|
174
|
5
|
Stub
|
Low
|
946
|
Charley Morgan
|
174
|
5
|
Start
|
Low
|
947
|
Eva Díaz (art historian)
|
174
|
5
|
C
|
Low
|
948
|
Cutaway (industrial)
|
173
|
5
|
Stub
|
Low
|
949
|
Scoring (industrial process)
|
172
|
5
|
Start
|
Unknown
|
950
|
Douglas Darden
|
172
|
5
|
B
|
Unknown
|
951
|
Horia Creangă
|
171
|
5
|
Start
|
Low
|
952
|
Kazuo Kawasaki
|
171
|
5
|
Stub
|
Low
|
953
|
English furniture
|
171
|
5
|
Stub
|
Low
|
954
|
National Design Centre
|
171
|
5
|
Start
|
Low
|
955
|
Feature recognition
|
169
|
5
|
Stub
|
Low
|
956
|
Centripetal Spring Armchair
|
169
|
5
|
Start
|
Unknown
|
957
|
Fiona Raby
|
169
|
5
|
Start
|
Low
|
958
|
Acapulco Chair
|
169
|
5
|
Stub
|
Low
|
959
|
Olivier Mourgue
|
168
|
5
|
Stub
|
Low
|
960
|
Neotu Gallery
|
168
|
5
|
Start
|
Low
|
961
|
Sacha Lakic
|
168
|
5
|
Start
|
Unknown
|
962
|
Paul Schuitema
|
166
|
5
|
Start
|
Low
|
963
|
Yuri Suzuki (designer)
|
166
|
5
|
C
|
Low
|
964
|
Rover T3
|
166
|
5
|
C
|
Low
|
965
|
Mundus furniture
|
165
|
5
|
Stub
|
Low
|
966
|
Fred Lowen
|
165
|
5
|
Start
|
Low
|
967
|
Helena Tynell
|
165
|
5
|
B
|
Unknown
|
968
|
Office of the future
|
164
|
5
|
Start
|
Low
|
969
|
Objet Geometries
|
164
|
5
|
Stub
|
Low
|
970
|
Quality control system for paper, board and tissue machines
|
164
|
5
|
Start
|
Low
|
971
|
Jean-Marie Massaud
|
163
|
5
|
C
|
Low
|
972
|
A&E Design
|
163
|
5
|
Start
|
Mid
|
973
|
Charles-Honoré Lannuier
|
161
|
5
|
Start
|
Low
|
974
|
Fabio Novembre
|
161
|
5
|
Stub
|
Low
|
975
|
Metamorphic library steps
|
160
|
5
|
Start
|
Unknown
|
976
|
Inflatable air cushion
|
160
|
5
|
Start
|
Unknown
|
977
|
Inga Sempé
|
160
|
5
|
Start
|
Low
|
978
|
Ian Proctor
|
158
|
5
|
Stub
|
Low
|
979
|
Arne Vodder
|
158
|
5
|
Stub
|
Low
|
980
|
Astro Studios
|
158
|
5
|
Stub
|
Unknown
|
981
|
Bruno Rey
|
158
|
5
|
Start
|
Unknown
|
982
|
Weissenhof chair
|
158
|
5
|
Stub
|
Mid
|
983
|
CAD/CAM in the footwear industry
|
157
|
5
|
Stub
|
Low
|
984
|
Visitability
|
157
|
5
|
Start
|
Low
|
985
|
Projection augmented model
|
156
|
5
|
Start
|
Low
|
986
|
Integrated Computer-Aided Manufacturing
|
155
|
5
|
Start
|
Low
|
987
|
Divisumma 18
|
155
|
5
|
Stub
|
Low
|
988
|
Samuel Abraham Marx
|
155
|
5
|
Stub
|
Low
|
989
|
Sky-Sailor
|
155
|
5
|
Start
|
Low
|
990
|
John Heskett
|
155
|
5
|
Start
|
Low
|
991
|
Maria Pergay
|
155
|
5
|
Stub
|
Unknown
|
992
|
Goddard and Townsend
|
154
|
4
|
Start
|
Low
|
993
|
Sergio Rodrigues (architect)
|
154
|
4
|
Start
|
Low
|
994
|
Art Museum Z33
|
154
|
4
|
Start
|
Low
|
995
|
Corin Mellor
|
153
|
4
|
Start
|
Unknown
|
996
|
Imm Cologne
|
153
|
4
|
Start
|
Mid
|
997
|
Jay Doblin
|
152
|
4
|
Stub
|
Unknown
|
998
|
Smyk (car)
|
152
|
4
|
Start
|
Low
|
999
|
GenerativeComponents
|
151
|
4
|
Stub
|
Low
|
1000
|
Ericsson Dialog
|
150
|
4
|
Start
|
Low
|